THE GIRL WHO BELIEVES IN MIRACLES

Yes — gladly. This is exactly the kind of film Movieguide exists to point families toward: a sincere, well-crafted story about a young girl who discovers she can perform miracles through her faith, and who ultimately needs one herself. The cast is phenomenal, the cinematography is beautiful, and the movie earns its emotion honestly rather than manufacturing it.

The Christian content isn't decoration — it's the engine of the story. Sara prays, forgives, credits God for every healing, and recounts the story of Lazarus as her own hope in the face of death. There's nothing here to shield your kids from; if anything, this is a film to sit down and watch together.

A few small, ordinary-life details appear — teenagers drinking beer and smoking, minor scuffles, a girl taken from the hospital without her parents' consent — but none of it undermines the film's warmth or its message. Watch this one as a family, and don't be surprised if it reignites something in the adults in the room too.

Sara Hopkins is an ordinary girl with an extraordinary faith. After praying over a bird she believes is dead, she discovers she has the gift of healing — and word spreads fast. Soon her community is showing up at her door, hoping for a miracle of their own: a sick child, an injured friend, an animal given up for lost.

But as Sara pours herself into healing others, her own body begins to fail her. What she needs next is a miracle nobody can promise her.

Four stars means this film delivers on every front it attempts. The performances are described as phenomenal, with the cast doing genuine justice to characters walking out a real faith rather than performing piety for the camera. The cinematography adds real beauty to a story that could easily have felt small or made-for-TV.

What elevates it further is pacing and tone: the film is entertaining, emotional, and inspirational without tipping into melodrama. It earns its tears rather than demanding them. For a faith-based family drama, this is craftsmanship worth celebrating, not just content worth approving.

This film exalts what Scripture exalts: prayer, family, forgiveness, hope, and the belief that God is present and active even in suffering. Sara doesn't take credit for her gift — she points every healing back to God, "standing by her side the entire time." She recounts the story of Lazarus as her own anchor when facing death, and the film explicitly supports the resurrection through Jesus rather than treating it as metaphor. A man prays for forgiveness. A nonbeliever is converted. A family leans on their church and on the Lord's Prayer when the ground gives way beneath them.

There is nothing here to unravel or distort — this is a rare case where the film's worldview and a biblical one simply agree. The one ache the film leaves open, honestly, is the same ache every believer carries: that miracles are real, but they are not guaranteed on our timeline or in the shape we ask for. Sara's grandfather says it best — "sometimes the answers to our prayers are not revealed to us in the ways we think they will be." That's not a flaw in the film; it's the truth it's willing to sit inside.

Scripture answers that same tension directly: "And Jesus said to him, 'If you can believe, all things are possible to him who believes'" (Mark 9:23). This film doesn't promise easy miracles — it points, faithfully, toward the God who gives them.

This is a film built to be watched together — faith-filled, well-made, and honest about both the reality of miracles and the reality of grief. It earns every bit of its high marks. Our answer stands: worth the trip — all ages.